As the prologue to the exhibition, the entrance space design is inspired by the aesthetics of firecracker packaging, transformed into a large-scale 3D photo-worthy installation and a themed carpet, leading visitors into the century-old memories of Macao’s firecracker industry.

This section traces the origins, growth, transformation, and adaptation of Macao's firecracker industry through a diverse array of archival materials including official government records, foreign trade reports, maps, photographs, and newspaper coverage. Through examining the interplay of underlying institutional frameworks, demographic shifts, government policies, and market forces, it reveals the developmental trajectory of this traditional industry, providing a unique lens through which to understand modern Macao's industrial history and socio-economic evolution.

This section focuses on the intricate processes and working environment of firecracker manufacturing. It displays surviving tubes, tools, illustrations, and historical images, reviving the focused, meticulous spirit of artisans. These seemingly humble workbenches and tools crystallize the ingenuity and perseverance of generations of workers, serving as the most authentic testament to Macao's early handicraft industry. A specially illustrated guide to the traditional manufacturing process has been produced to reveal the masterful craftsmanship behind the art of crafting firecracker for over a century.

The exhibits in this section are drawn primarily from the firecracker document collection of the Library of Macau University of Science and Technology and from materials generously donated to the Macao Museum by the dedicated collector Mr. Lai Hung Kin. These include ledgers, correspondence letters, customs declaration forms, and diaries from manufacturers such as Yick Loong, Kwan Yick, and Wang Yick, dating from the Republic of China era to the 1970s. These archives faithfully document the operational details and the rise and fall of the firecracker industry, reflecting the prosperity of Taipa as the famed "Island of Firecrackers". Though the paper is thin, it carries the weight of sparkling craft and dedicated artistry.

This is a creative space designed to evoke memory through touch interactions. Within this nostalgic interactive zone, we warmly invite visitors to participate in a unique stamping experience. The stamp designs draw inspiration from the classic packaging of famous historical brands, skillfully blending memories of the past with contemporary creativity. In addition to stamping, this area offers a selection of beautifully crafted retro postcards. We welcome you to take this lovely memento home to share with friends and family.

This section showcases the rich diversity of brands and packaging design within Macao's firecracker industry. We see the transition from the childlike symbolism of brands like the Duck Brand, Flying Wheel, and the Children Brand, and the heralding metaphor of the Cock Brand, to the resilient imagery of the Camel and Anchor Brands, and onward to modern motifs seen in trademarks like the Peacock Brand, Hunting Rifle, and Atomic. These trace the visual evolution of firecracker packaging from highlighting traditional auspiciousness to accentuating international modernity.

Born in Macao, Ung Vai Meng began his early artistic training under the guidance of painter Mr. Kam Cheong Ling, studying sketching and watercolor. In 1991, he traveled to Lisbon to study at the AR.CO arts school. He earned a Master's degree from the Guangzhou Academy of Fine Arts in 2002 and a Doctorate in Fine Arts from the China Academy of Art in Hangzhou, in 2010.